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Books Images both literary and visual to inspire,
disturb
By NCR STAFF
Nearer, My God: An Autobiography of Faith, by William F.
Buckley, Jr. (Doubleday, 300 pages, $24.95 hardcover): Heres a pretty
kettle of fishers of men (and women) -- a host of Catholics, living and dead,
assembled in literary form by Buckley in the conservative Catholic
writers examination of the faith he shares with 900 million others. Give
or take a million. Dropping words like rosary beads -- each in its place and
each with its purpose -- he leads the reader out of his childhood wonderworld
into the beliefs he holds. Gone, momentarily, is the combative Firing-liner;
see now the evangelist and catechist. For Buckley realizes he has a teaching
moment at hand. Conservatives and those who like his elegant writing for its
own sake, and who may not be Catholics, are given an introduction to, and a
defense of, the Catholic faith. For Catholics, there is more than remediation,
there is Firing Line reduced to print as his Catholic (conservative) favorites
answer his questions about their faith. Neatly done. Read it and wince, read it
and weep, read it and smile, but read it.
All Saints: Daily Reflections on Saints, Prophets and
Witnesses for our Time by Robert Ellsberg (Crossroad Publishing, 576 pages,
$39.95 hardcover/$19.95 paperback): Butlers Lives of the Saints
this is not. Butler, of course, took his cue from the official Vatican
rolls of holy men and women, whereas Ellsberg (the publisher of Orbis Books)
takes a wider view. The result is an intriguing blend of official
saints such as Augustine and Brigid of Ireland, yet-to-be-processed candidates
for a halo such as Oscar Romero and Dorothy Day, prophets from outside the
Christian tradition such as Gandhi and Anne Frank, and artists of such note as
Flannery OConnor and Mozart. Obviously, a deeply ecumenical vision is at
work here. Moreover, Ellsbergs roster balances individual piety with
concern for social justice, orthodoxy with exploration, and intellectual
accomplishment with personal simplicity. The format, which offers a different
life story for each day, is an invitation to savoring the book throughout the
year. And indeed that is what this wonderfully rich, inspiring book deserves.
Savor it, drink it in, and let yourself be transformed. Butlers tastes in
sanctity notwithstanding, Ellsberg reminds us that there are many paths to
holiness for those willing to take the trip.
Chronicle of the Popes: The Reign-by-reign of the Papacy from
St. Peter to the Present by P.G. Maxwell-Stuart (Thames and Hudson, 240
pages, $29.95): Popes are hardly in need of more chronicling, being, as they
are, some of the most-chronicled people in human history already. This book
adds little to previously-published synopses of the various papacies, so
its not something to pick up on the strength of its historical insights
(though Maxwell-Stuart is a gifted writer and the text is compelling despite
the familiar territory). It would make a handy reference work for those lacking
such a volume. Most, however, will be drawn to the book visually -- it is
stunningly illustrated, with a grand total of 308 images, 105 of them in color.
These are not just papal faces. The book offers maps, etchings, frescoes,
sarcophagi -- a true visual feast. The images are drawn from all eras of the
churchs past, and indeed, could just as easily have illustrated a book on
ecclesiastical history, or Christian art. Most of the illustrations tend toward
piety, though there is the occasional grotesque -- Masaccios
Martyrdom of St. Peter, for example, showing in vivid detail the
upside-down crucifixion of the premier pope. This is the sort of book to be
placed prominently on coffee tables and thumbed through repeatedly. As a
reference work, its one among many, but as a visual trip through the life
of the church, it is -- like the pope himself -- without peer.
The Jews in Christian Art: An Illustrated History by Heinz
Schreckenberg (Continuum Books, 400 pages, $120 hardcover): This book of
illustrations focuses on one less savory aspect of church history: the
Christian depiction of Jews, which tends to reflect -- sometimes in
spectacularly crude fashion -- the deeply anti-Semitic impulses of much of
Christian theology and biblical exegesis. Here we see, systematically organized
and glossed, all the iconographic conventions: Jews with horns, Jews with dunce
caps, Jews leering at Christian women, Jews drinking the blood of ritually
sacrificed Christian children. Its enough to make most Christians wince.
And that, precisely, is what it should do. The Jews in Christian Art is
intended as a contribution to art history, but for Christians concerned at all
about the role Christian anti-Semitism has played in the tragedies of our time,
the book is deeply sobering. At $120, its by no means a casual purchase,
but looking at these images, page after disturbing page, could awaken a new
resolve to press on in constructing a theological framework free of these
ancient prejudices.
National Catholic Reporter, November 7,
1997
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