Movies
Stereotyping and double standards in Hollywood
Islam
By ARTHUR JONES
The new 20th Century Fox film The Siege generated
considerable pre-release controversy for depicting Muslims, once again, as
religious zealots committing acts of terrorism. NCRs Arthur Jones
saw the movie in Washington with George Irani, an international relations
scholar and an Arab Christian. Jones spoke with Irani about popular views of
Islam and the continuing turmoil in the Middle East.
The Siege was over. Freed from our movie seats, George
Irani and I headed for the car. Said Irani, an Arab and a Christian, A
Saudi diplomat remarked to me recently that there are three Islams: Hollywood
Islam, Georgetown Islam and the Islam of the West Bank, Beirut, Damascus,
Karachi and the rest. This was Hollywood Islam.
The Siege is Godzilla with Arab Muslim
extremists as the monster. Plot: The United States kidnaps a sheik. His
followers blow up a bus full of people (and themselves) in Brooklyn. Good FBI
guy Denzel Washington is on the case. Bad guy Gen. Bruce Willis occupies
Brooklyn with the U.S. Army and is on Washingtons case.
Good-girl/bad-girl CIA agent Annette Bening is the sole link with
Samir, a go-between with extremists, who by this time have detonated the New
York City FBI building to smithereens. The hunt is on -- all young Brooklyn
Arabs are rounded up. (That the extremists might be commuters from New Jersey
is not considered.)
Interned, in scenes Irani found poignant, is the son of an FBI
agent named Haddad -- portrayed as an Arab Christian from Lebanon (Iranis
own background). Haddad throws away his FBI badge in disgust.
Gen. Bruce is into torturing Arab-Americans to prevent greater
bloodshed. Honorable Denzel isnt and dodges Bruce, bullets, bombs and the
blandishments of Ms. CIA in an attempt to bring red-white-and-blue justice (and
a shifty White House) back to the altar of honor.
The stereotyping of ordinary, everyday Arab-Americans has dozens
of precedents in U.S. history: pro-Kaiser and pro-Hitler stereotyping of
German-Americans during World Wars I and II; the internment of
Japanese-Americans during World War II; or, less martial yet equally prevalent
(and movie-perpetuated), the linking of all Italian-Americans with the Mafia
and crime.
So, two questions for Irani: Is this movie actually anti-Arab and
anti-Muslim? And is the Islam of the West Bank, Damascus, Karachi and the
rest to be feared?
The movie: Initially, as an Arab-American, I was queasy,
uncomfortable, because it perpetuates some of the usual stereotypes, said
Irani. This weird faith, Islam and lumping entire peoples as one: Being
Arab equals being Muslim. Not true. Ten million Arabs are Christians [and only
15 percent of the worlds 1.2 billion Muslims are Arabs]. But for
two-thirds of the show, this was just a movie.
The second question takes longer.
Until recently, Irani, now a consultant, was the Randolph Jennings
Senior Fellow at the quasi-governmental U.S. Institute of Peace, writing papers
with titles such as: Rituals of Reconciliation: Arab-Islamic
Perspectives. One-on-one reconciliation, or the troika
Clinton-Arafat-Netanyahu parleys at Camp David dont fit the Arab/Muslim
way.
Scholar Irani, who holds a PhD in international relations from the
University of Southern California and is a former political science professor
at the Lebanese American University in Beirut, deals in reconciliation issues.
He says that in Middle Eastern societies, conflict control and reduction takes
place within a communal, not a one-on-one, framework. It is a non-Western,
indigenous application of the process of acknowledgment, apology,
compensation.
Middle East peace (Israeli-Egyptian/Israeli-Palestinian)
exists only because of military persuasion and economic enticement, says
Irani. So a controversial and major absence in the movie, mentioned only
in a negative way for the Arabs, is Israel and its role in this whole mess. The
deepest causes of Middle East violence are touched only very superficially if
at all.
An interesting side comment -- not to do with the
movie, says Irani, is the use of words. When an Arab car bomb kills
people in Israel, its terrorism. When Israeli settler Baruch Goldstein
goes into a mosque and shoots 50 people to death, hes deranged. The West
Bank settlers build a statue honoring him. On the other hand, [Ibrahim] bin
Ladens a terrorist.
Bin Laden, suspected of being mastermind of the U.S. embassy
bombings in Nairobi, Kenya, and Mogadishu, Somalia, is Americas son
of a bitch, said Irani, because he was part of the CIA effort to support
Muslim fighters in Afghanistan.
Terrorism is latent in Israel, but no one talks about
it, said Irani. It was an Israeli terrorist who killed Prime
Minister [Yitzhak] Rabin. Theres a whole network of loonies there like we
saw in the movie on the Arab side. So the movie message would be more powerful
if balanced -- but certain topics are taboo.
Why do you have people [radical Muslims] willing to
sacrifice their lives? asks Irani rhetorically. The causes, he says, are
both historic and recent: The Crusades are as real to Arab Muslims today as
Hiroshima is to todays Japanese; the creation of Israel and the
consequent subjugation of the Palestinians in slums exists for all to see. And
there were U.S. attempts in the 1950s to undermine Arab nationalism, as against
Gamal Abdel Nasser in Egypt in the 1950s, he said.
Israel can invade countries like Lebanon and Palestine, can
grab land and steal land and create settlements, steal water and nothing
happens, no one punishes it. Instead theres billions of dollars in U.S.
aid. Peace in the Middle East is perceived as an alien deal imposed by a
superpower.
Arabs also perceive, said Irani, that the Arab world is only
useful to America because of its oil, says Irani. No oil and this
part of the world is totally useless to the U.S.
Into these perceptions, suggests Irani, insert a U.S. view of the
Arab world colored by a Protestant and more fundamentalist Christian picture of
the world: the protection of the Bible, of the Holy Land, of Judeo-Christian
values, which are a guide to life in the West in general.
Many Americans perceive Israelis as having similar
experiences -- the frontier experience -- with the kibbutz. Add to this an
affinity of American Protestants toward the Holy Land -- exemplified today by
people like Pat Robertson. And the Israeli government shrewdly plays on these
affinities to depict Muslims and Arabs as trying to undermine the Holy
Land.
The religious right tries to create images of persecuted
Christians in the Middle East, he said, whereas overall Muslims and Christians
live very well together -- there have never been any pogroms in the
Middle East the way there were in Poland or the Soviet Union against the
Jews.
Christians in Lebanon are in very good shape, their schools
and economic status, says Irani. In Syria, too.
The distressed Christians are in Iraq, where the entire
population is distressed. A criminal like Saddam Hussein commits a crime by
invading Kuwait, and 1 million Iraqi people suffer and die because of
sanctions.
Back to the movie. On screen, one message that doesnt make
it through, says Irani, is that not all Muslims are fundamentalists and not all
fundamentalists are terrorists.
But some are, George. And some Muslim nations chop off arms for
theft, or behead people, or jail women because theyve been raped. And
thats all many moviegoers know about Islam.
It isnt the religion that does that, counters
Irani. Its the people who implement it. Christianity never ordered
the bombing of Hiroshima and Nagasaki or promoted Crusades or held
Inquisitions. Not the faith itself. It is basically the obscurantists, the
authoritarian regimes. In the Muslim world, [authoritarian regimes] all too
often are supported by the United States government -- Pakistan, Saudi Arabia
and so forth.
Or, when Jews grab other peoples land or torture them,
or whatever, it doesnt mean that Judaism is wrong as a religion, he
said. Theres always this holier-than-thou attitude, that we have
the virtues and the others are barbarians. Not so. Again, its the
double-standard, says Irani.
What we have had [in the Muslim world] in the last 20 years
is the emergence of groups that are alternatives to failed and corrupt regimes
-- in Egypt, Syria, Iraq, Saudi Arabia, Sudan, Afghanistan.
All of these were perceived to be tools, stooges, of the
West, particularly the United States. It is the U.S. that manipulated
revivalist Muslim groups -- to combat the Soviet Union in Afghanistan, for
example, the CIA created and armed the Taliban. From an anti-Iranian
perspective, they manipulated some Sunni Muslims, all for ideological
purposes.
That American role in creating and sustaining groups we would
later label as terrorists is all in the shadows and gaps as
The Siege unfolds.
But what the heck, its only a movie. Right?
National Catholic Reporter, November 20,
1998
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