|
Summer
Books Poems explore powerful meditations on Catholic life
PLACE OF PASSAGE:
CONTEMPORARY CATHOLIC POETRY By David Craig, Janet McCann,
editors Story Line Press, 302 pages, $18.95
|
|
By GILL DONOVAN
Place of Passage: Contemporary Catholic Poetry succeeds in
conveying a vision of a world that is predominantly Catholic. The editors,
Janet McCann and David Craig, have selected from among some of the most
well-known, often illuminating contemporary Catholic poets, from Annie Dillard
to Thomas Merton, Karol Wojtyla, Dana Gioia and more than 50 others. Poem after
poem, the spiritual and emotional lives of the poets in their most revealing
moments are brought into sharp focus.
A distinction the anthology unfortunately shares with some aspects
of Catholicism is its bias in favor of the writing of white males. The female
poets included do speak clearly, but the female voice is outnumbered three to
one, and with only few exceptions (such as the powerful voice of Nobel
Prize-winner Gabriela Mistral) the poets write from a First World perspective.
The collections sub-title, Contemporary Catholic Poetry,
needlessly marginalizes many in this regard. Though the anthology will be
meaningful to all Catholics, the book is far from representative of all the
voices in the Catholic world.
In other respects, this is a fine collection -- the poems explore
powerful experiences insightfully. Some are meditations on faith, on how the
sacraments guide our lives; some explore personal experience, the unexpected
moment when a relationship or act causes us to reflect on Christ and his power,
for good or ill, to change us; some appear to be no more than a devout prayer,
but one that is meaningful to many.
McCann writes in her introduction that the collection is
arranged to follow the rhythm of the liturgical year. Thus the book
is divided into 32 sections derived from the liturgical calendar. This
arrangement guides the reader to find some perspective for each poem within the
grounds of our sometimes triumphant, sometimes discouraging lives as
Catholics.
These are poems about a myriad of experiences people in touch with
their spiritual lives share in common, value and reflect on, as in Thomas
Mertons Evening: Zero Degree Weather in which he finds in
landscape the majesty of creation:
Now the lone world is streaky as a wall of marble
With veins of clear and frozen snow. There is no bird-song there, no
hares track No badger working in the russet grass; All the bare
fields are silent as eternity.
Or a moment of near despair overcome by faith, as in Prelude
to Holy Week by Fr. David May:
Poetry is a failure. I am no true father But only a
poor coward, lamely smiling. Another day or so, well sing,
Hosanna To the Failure-King riding his donkey of peace. And I
want to say, choking back sobs, Hosanna. I still want to try. Blessed
be He who comes. I have no other hope, yet I seek still False
hopes, and I am afraid, afraid Of committing some definitive sickly
betrayal. The last gut of courage has drained away, And only you can be
resurrection in it all. Hosanna. Make a kingdom of this dust.
Or as in Vocation by Carolyn Alessio, one of the few
poems to explore the pain of injustice, a woman listens to a sermon aimed at
recruiting young males:
Until you enter the seminary, the priest said,
nobody can truly understand brotherhood. Mid-sermon, I remembered what I
told a friend last week, who asked me why a woman -- any self-respecting
woman -- Could remain a Catholic. Embarrassed, I muttered:
Ritual.
Or as in Les Murrays poem, Poetry and Religion,
which meditates on the power of poetry to be transcendent:
Religions are poems. They concert our daylight and
dreaming mind, our emotions, instinct, breath and native gesture
into the only whole thinking: poetry. Nothings said till its
dreamed out in words and nothings true that figures in words only.
The poems in this collection succeed, time and again, in sparking
a moment of excitement and recognition in the reader. Though the book
cant be as representative as its subtitle suggests, it does bring
together some of the best Catholic poetry Ive read in the last 10 years.
It will be remembered.
Gill Donovan is NCRs poetry editor and
proofreader.
National Catholic Reporter, May 5,
2000
|
|