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POETRY
if edith stein was black
would she have tried to pass for white on the way to the
camp or when she looked at the others whose faces were darker than hers,
whose eyes had less clarity or more nightmares, whose backs had far more
scars would she have claimed who she was only when there was no hope of
being anything else would then she have claimed them when she knew she was
them, in shame for what she tried to erase by another name, another skin,
another god
if edith was black would she have discovered on her
own she could die proud because she finally was the persecutor and the
persecuted the killer and the killed
would she have chosen her
sainthood, or her title. confessor or would she have taken davids
star and wrapped it in a shroud with her crucifix to sing to the dark with
the others freedom. freedom.
-- Mikele Rauch Waban, Mass.
Carmelas Church
Memory is the acolyte who ignites the stained glass
house, who fills times fragments with color; who laces them
together with soft lead veins and binds their joints with bloods
orange heat.
My cousin presents the crystal chalice, her capable
hands holding what, until now, no laywomans hands could hold.
Quietly, she offers wine to each communicant saying, this is Christ . . .
this is so.
As I approach her, sunlight lands on the sacred
liquid, cracks off a ruby splinter. The prismatic thread holds us for
a moment as Carmela would have liked us to remain: daughters of the
temple -- vestal, obedient, uncomplicated.
Standing in that vaulted
womb of light, we pay homage to her and to the Church she
defended. Left behind to contemplate her love, we know we will return
next year to sing with the choir and watch candle smoke rise to kiss
the golden-eyed saints.
-- Joan Rizzo Medina, Ohio
Signals
When summer has been stored away and frost has nipped
the leaves When balmy winds calm down and die before the final
freeze. When birds have flown, time-tabled south, when fields sleep in
the sun And hide the quail that soon will fly across the hunters
gun.
The skys an azure bowl of light that tips her magic
down And shines through every golden leaf before its blown and
brown. In glory stands the maple tree, transfigured on a hill. I stand
and glory in it all and do not feel the chill.
-- Sr. Martha Wickham, ASC Red Bud, Ill.
Must You Mumble?
Now, how about a straight word: Speak, Lord, your
servant listens.
No more Ezekiel prophecies, Wheels within
wheels.
It is not enough to drag The hem of your garment
In
the sand of Miamis beach So I can read its scratchings.
Though
I am a Minnesota groundling, I do not need the clarity
of Greek
necessity. But no more Shadows on the cavern walls.
You are always
turning off the lights, Blowing out the single candle.
Please, no
more muttering In your beer, like some dark Luther,
Caught between
the impossibilities Of law and the freedom of the Gospel.
I just need
some stay Against the comic dust.
As I drag the bag of my
illusions Along the street of my impertinence.
Try a little logic on
the universe. Steady, please, Oh God of iron whim.
I ask no Mount
Sinais, no Tabors, No cloud by day, no fire by night,
Just one
unambiguous touch lasting one beat of my heart.
-- Fr. Kilian McDonnell, OSB Collegeville, Minn.
On Giving Up
I gave up negative remarks for Lent, It took the whole
first week for me to grasp this single imperfection. But then it
came, served up on its little platter neat as an omelet: NO VIA
NEGATIVA FOR SIX WEEKS. TRY IT, YOULL LIKE IT.
Indeed, it
sobers me to hear myself complain: I rise to praise all sun and
water flowing over rock, seek out wines to go with pasta. And wit
-- Ill never have enough of wit, it radiates good vibes.
And yet, re: sober thoughts: whats wrong with no, not,
isnt, never will: They have their truth: God said, I
AM, but so am I, and Im not God. Nor, as far as I can see, is
any other name now known:
God IS but thrives on being
ISNT, and in just such terrifying, nonaffirming ways as
ours, who probe the dark, then stumble, then cry out in heaps of
helplessness.
I ponder thus on Thursday of Week Six.
-- Sr. Mary Virginia Micka, CSJ St. Paul, Minn.
the fragrance of lilac
the lilac bush leans against the barn door
almost unnoticed now, past its moment in the sun, the pyramids of purple
curls faded, weepy, spotted with rust; now peonies await
applause, roses waiting in the wings,
yet its fragrance denies the
present, does not linger gently in reminiscence of glory days in
May, it rides strong on the wind, assaults me, stops me in my
tracks with an elegance so sharp, so piercingly sweet, it cuts my
breath in half
what alchemy connives to outwit age in this
gone-by bush? what churns in the bowels of roots, up the highway of
veins, out the flowering pores, to paralyze so sweetly with perfume the
white-coated chemists struggle to imitate in laboratory beakers?
as with other unfathomables ever within grasp -- children,
hummingbirds, the complexity of cabbage heads and cats minds
-- the fragrance of lilac is a mystery of the ordinary, a sacramental
leading to deeper mystery
-- Ethel Pochocki Brooks, Maine
1999 in POETRY
2000 in POETRY
Poems should be limited to about 50 lines and preferably typed.
Please send poems to NCR POETRY, 115 E. Armour Blvd., Kansas City MO
64111-1203. Or via e-mail to poetry@natcath.org or fax (816)
968-2280. Please include your street address, city, state, zip and daytime
telephone number. NCR offers a small payment for poems we publish, so
please include your Social Security number.
National Catholic Reporter, January 5,
2001
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