Shes Fordhams black nun who knows
show business
By PATRICIA LEFEVERE
Bronx, N.Y.
Sixty-some years ago Francesca Thompsons papa taught her
that if some people might think her inferior, it was only a manifestation of
their ignorance. The Franciscan sister, now 70, never forgot his words.
Although shes heard horror stories from other black nuns
about racism and about harassment inside religious orders, the story of
discrimination has not been her story.
When she entered the Sisters of St. Francis of Oldenburg, Ind., 50
years ago, I honestly thought that the sisters of my community sat up all
night clapping their hands when they heard I was joining them.
During an interview at Fordham University here, she recalled her
young self as being, so vain and arrogant, it was nearly impossible for
my novice mistress to smack some humility into me. Thompson directs the
Office for Minority Affairs at Fordham.
Few other nuns can brag about being a longtime member of
Broadways prestigious Tony Board, of having been drama coach to actresses
Gilda Radner and Christine Lahti, or of being a personal friend to the Rev.
Jesse Jackson. And brag she does.
Theater in her blood
Her actor parents, Edward Thompson and Evelyn Preer, were so fair
that white producers made them wear blackface when they acted. The pair met
while working with the Lafayette Players, the longest-running stock company in
U.S. theater history (1915-32). Based in Harlems Lafayette Theater, the
250-member troupe toured in five companies.
Her mother was in Los Angeles when she gave birth to her only
daughter on April 29, 1932. She died seven months later at 35. Thompson
grew up in Indianapolis, raised by her father and grandmother, Susan Knox. Her
lower middle-class home was far from ordinary, however.
Actor/singer/activist Paul Robeson, actress Ruby Dee and musician
Eubie Blake, all friends of her father, visited. So did city politicians,
clergymen, judges -- even Indianas gubernatorial candidates came to
consult with her grandma, a Democratic ward captain.
I wake up on election morning and feel joy and excitement
the way other nuns feel on Christmas and Easter, Thompson said.
Im no Dan Berrigan, but religious life doesnt demand I give
up my political stands.
Her gravest sin, she confessed, had been voting for Republican
Dwight Eisenhower in the presidential race of 1956. because Democrat
Adlai Stevenson was divorced. The worst part was having her grandmother
find out. It never happened again.
She recalled taking her grandma to vote for Jimmy Carter when she
was nearly 100. It was Susan Knoxs last outing.
At the time Thompson had already been a Franciscan 25 years and
was teaching theater arts and English at the orders Marian College in
Indianapolis. She arrived at Marian in 1966, where she taught -- with a
break to earn her doctorate -- until 1982, when she came to Fordham.
The history of the Lafayette Players was the subject of her
doctoral dissertation in speech and drama at the University of Michigan, where
she coached Radner, Lahti and several other budding actors. When it was
suggested in 1969 that she research her parents theatrical troupe,
Thompson had no idea how she would uncover material or even learn if any of the
players were still alive.
But she did what nuns are good at, she said, and sent
97 begging letters to editors of black newspapers asking them to publish a free
ad requesting information, clippings and old playbills about the troupe. She
promised the editors black power in heaven. The ads netted contact
with three company members, including the founder.
Thompsons doctorate helped her become chairperson of Marian
Colleges drama/speech department. Thompson taught about life, morality
and value in works by American and international playwrights, white and black
poets and novelists. The nuns study of many of the works of Eugene
ONeill delves into the dramatists tempestuous relationship with
Catholicism.
Her own attraction to Catholicism began while attending St.
Marys Academy, the only private secondary school in Indianapolis that
would accept blacks in the 1940s. Raised in the African Episcopal church,
Thompson joined the Catholic church in high school. It was not only love of the
Franciscans who taught her, but also fascination with the drama of Catholic
ritual and worship that led her to join the order in 1952.
Jesus must have been part actor, she said, musing over his
theatrical backdrops -- the sermon preached against a mountain setting, a
wedding the scene of his first miracle, walking on water, and his triumphant
entry into Jerusalem on Palm Sunday.
Blacks bring a unique contribution to Catholicism, the
nun said. Thompsons recent jubilee service -- marking 50 years as a
Franciscan -- featured spirituals, dance and preaching by a black Baptist
pastor. Among the guests at the Fordham liturgy were Protestant ministers who
were Martin Luther King Fellows in the Black Church Studies program at Colgate
Divinity School in Rochester, N.Y. She has been associated with the program for
more than 25 years and served as a dissertation reader for the 19 Protestant
ministers who earned their doctorates in the program.
Preaching style
The nun has brought her own dramatic preaching style to many of
their churches.
The revolution that Thompson has often called for and
preached in the black community, she now wants to happen in the church. In her
vocabulary, revolution does not mean overthrow or militancy, but rather a
systemic change. Unless change occurs in the Catholic church, we
will remain firmly rooted in the 11th and 12th centuries, she said.
She said she is appalled by stories of sex abuse by priests --
whether against nuns in Africa and elsewhere or against children, teens and
adults in this country. Why didnt the bishops act against it years
ago? Why dont they just say they were wrong?
Although shes heard many accounts of discrimination from
black nuns, she said no black sister has ever told her of sexual abuse, though
some have complained of sexual harassment on the part of white clergy.
Thompson is confident the church will reform itself in the wake of
the clergy sex abuse scandal, just as saints Benedict, Dominic, Francis,
Ignatius and Vincent de Paul appeared and changed the church because their
times demanded it. The church of the 21st century must ask itself whether it
has fulfilled the gospel call, she said. Are we giving abundant life to
AIDS sufferers, abused women, the starving and hungry?
It is the duty of universities such as Fordham to raise these
questions and to create a counterculture in which solutions can emerge, she
said. If it takes a village to raise a child, it takes the entire
university to change the system, she said.
The nun regrets that so many black and white students are
apathetic and unaware of the struggles for justice waged by
previous generations.
Spend a few hours with Thompson and youll watch a grande
dame-impresario in motion -- fielding phone interviews, giving instructions to
a trainee assistant, identifying celebrity photos across her office. The
visitor will also hear her refer to herself as the black nun
several times as if shes watching her own performance.
Thats the black nun who goes to every show,
Thompson overheard actress Lorna Luft say, pointing to the nun in a Broadway
restaurant. Shes missed only two shows in four years on the Tony Board
and has now been reappointed for another three years.
But where are the black productions? she wants to
know, pointing to plenty of top black talent.
Three Oscars
Now that Hollywood has given three best-acting Oscars to black
performers, Thompson said, the doors have been opened. The question
remains: Will blacks walk through them?
She said she holds little respect for Hollywoods
highly political awards system. Denzel Washington ought to have
been honored for his earlier role in Hurricane, she said, but the
film was hurt by criticisms of the inaccuracies in the fact-based story of
boxer Ruben Hurricane Carter. What about A Beautiful
Mind? Thompson asked, pointing to a film script that differs
greatly from the biography of its main character, mathematician John
Nash. The film won Best Picture in March, but Russell Crowe as Nash lost the
Best Actor honor to Washington for Training Day.
Thompson said actress Halle Berry deserved the Best Actress Oscar
this spring for her role in Monsters Ball. She does not
come to filming with everything the great actors have, but shes
stretching every time she acts.
When it comes to Sidney Poitier, who won the Best Actor award for
Lilies of the Field in 1963, I suffer from extreme
bias, Thompson admitted. He is a silver-tongued orator who could
read the phone directory and it would sound better than any of Lawrence
Oliviers Shakespearian performances.
Thompson once met Poitier and complimented him on his performance
in Lilies of the Field. He asked her: Sister, did anyone ever
tell you that you have a smile that lights up a room? Thompson
experienced heart palpitations and was not herself -- was tongue-tied -- for
hours.
But anyone can see that there is something in Thompsons
smile, her laugh, her talk, even her frenetic activity that mirrors her joy.
The best umbrella in adverse times is a sense of humor, she said. Her
attraction to the Franciscans grew from reading about Francis sense of
joy. Francis had a terrible life, suffered great fits of depression, but
he stayed joy-filled, she said.
In the classroom Thompson has tried to equip her students with a
sense of morality and a feeling for joy. Joy is a gift of the
spirit, she said. Youve got to have an inner relationship
with the source of all joy, who I see as God.
Patricia Lefevere is an NCR special report
writer.
National Catholic Reporter, August 2,
2002
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